"An excellent collection of provocative and compelling debates, expertly and elegantly arranged. Essays new and old form a dynamic and accessible portrait of ideas foundational to contemporary thinking about film. This book is sure to inspire." Haidee Wasson, Concordia University, Montreal "Marc Furstenau retraces the most important issues in film theory, and makes them intera...(展开全部)

For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. "Feminist Film Theory" maps the impact of major theoretical developments on this growing field-from structura...(展开全部)

This field-defining collection consolidates and builds momentum in the burgeoning area of affect studies. Major thinkers theorize affect: visceral forces beneath, alongside, or generally other than conscious knowing that can serve to drive us toward movement, thought and ever-changing forms of relation. As Lauren Berlant explores "cruel optimism," Brian Massumi theorizes the af...(展开全部)

This field-defining collection consolidates and builds momentum in the burgeoning area of affect studies. Major thinkers theorize affect: visceral forces beneath, alongside, or generally other than conscious knowing that can serve to drive us toward movement, thought and ever-changing forms of relation. As Lauren Berlant explores "cruel optimism," Brian Massumi theorizes the af...(展开全部)

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

First published in 2003

安德鲁•彭达基斯（AndrewPendakis），是加拿大布鲁克大学英语系讲师。

First published in 2003